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Showing posts from November, 2017

Sacred Circles

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  "Isfahan" Ltd Edition Giclee Print 6.5 x 6.5 in. Sacred Circles The circle is said to represent wholeness, softness, completion, inclusion, the life cycle, heaven-hell and eternity. That’s a lot to embody for a seemingly simple shape! Circles are sacred symbols for a reason.  Circles are a natural, physical phenomena that best describe our round planet circling the light of a round, life-giving sun.  Earth’s cycle, as circle, occurs over, over and again in the myriad planet, star, relationships of our expanding universe.  Scientists who look at the spiral building blocks of nature, our DNA, find stacked interlocking circles. From the whorls of our fingertips, the irises of our eyes, to our cells and the egg that gave each of us life, we are manifestations of the circle. My images about circle reflect the symbolic nature of circle.  Their names reference the sacred sites, temples, cathedrals that more often than not were built and built again upon already sacre

Hades and Persephone "Hades Takes a Wife"

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"Hades Takes A Wife"  Rust print on vintage linen over panel, 36 x 28 in. "Hades Takes A Wife" depicts the abduction of Persephone by Hades; the first act in the Greek foundation myth explaining the cycles of nature and symbolizing the cycle of life and rebirth. Hades ruled the Underworld alone and desired a Queen to rule with him.  He fell in love with Persephone but knew Persephone’s mother Demeter, goddess of harvest and fertility, would never consent to his proposal.  So, Hades appealed to a higher power, his brother Zeus (Persephone’s Father) who agreed to the union but foresaw Demeter’s objections. Together they decided Hades would steal Persephone from her mother. One day while Persephone picked meadow flowers a cavern opened at her feet and Hades took her down, down to his Underworld Kingdom.  Demeter frantically searched the world for her lost daughter but of course she was no longer of the world.  Eventually she discovered what had really happened but

The Temple of Forgetting

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"The Temple of Forgetting" Rust Print on linen over panel, 41 x 33 in. Lethe’s Temple, "The Temple of Forgetting", has its foundations in a river.  In early Greek myth, Lethe was one of five rivers that flowed through the subterranean Kingdom of Hades.  Souls who passed into Hades had need to forget the suffering they had endured, or perhaps, the torment they had inflicted.  So, if a soul were ever to achieve peace, the dead would drink from its water in order to forget their earthly life and the river Lethe would wash away the memory of physical reality. Myths evolve and Lethe the river was eventually personified as Goddess.  Lethe the Goddess became synonymous with forgetting.  Lethe is the root word of lethargy meaning weariness, lassitude, and fatigue. Please view “The Temple of Lethe”, a Rust Print Assemblage, at my studio, stop #5, on the  2017 Vashon Island Holiday Studio Tour , December 2-3 & 9-10 (Saturdays and Sundays) 10am to 4pm.

Gemini

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Many Greek and Roman myths tell of the twin brothers Castor and Pollux. They are known as the Dioscuri in Greek and as Gemini or Castores in Latin. The brothers shared Jason’s quest for the Golden Fleece in the Argonautica and they’re the familial heroes when Theseus and Pirithous abducted their sister Helen. Though their mother was Leda, Castor was the mortal son of Tyndareus, King of Sparta, and Pollux was the divine son of Zeus who had seduced Leda in the guise of a swan. They are sometimes said to have been born from an egg or eggs, along with their twin sisters Helen of Troy and Clytemnestra. Castor was killed in a family feud after he and Pollux fell in love with and abducted Phoebe and Hilaeira, consorts of their cousins Lynceus and Idas.  Pollux asked his father Zeus to let him share his own immortality with his twin to keep them together and they were transformed into the constellation Gemini.  Sharing also meant they had to spend equal time in the underworld.  This divisio

Eve Modeling Ready to Wear, "The Garden Collection"

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  "Every myth has a mother, some more stylish than others...  Hebraic myth doth suggest that Eve dressed better than the rest." Welcome to the runway!  The first two weekends in December, 2-3 & 9-10, Goddess Eve will be modeling Ready to Wear, "The Garden Collection"! Step Out, Step Up, YOU CAN SEE THE SHOW!  Stop #5, Brian Fisher Studio, when Vashon Island Artists throw open doors, windows, yards and yardarms in welcome during the Vashon Island Art Holiday Studio Tour!!

Dryad

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This is "Dryad", a collograph print depicting my vision of a wood spirit or nymph.   In Greek drys signifies "oak". Thus, dryads are the nymphs of oak trees, though the term has come to be used for all tree nymphs in general.   Traditionally dryads are female and in myth are often pursued by another woodland creature, the Satyr.  But I thought why should they have all the fun, or unwanted attention, so my dryad is male and experiencing a seasonal change.  "Dryad" is currently showing at Roby King Gallery on Bainbridge Island Washington, November 3-27, 2017.

The Willow Men

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"The Willow Men," another of my Green Man myth interpretations is currently showing at Roby King Gallery on Bainbridge Island, November 3-27-2017.    The Green Man myth represents a union of humanity and the vegetative world.  He is the sacrificial human connection to the plant cycle of birth, reproduction, revitalization and resurrection. Known by many names through time and a spectrum of cultures, including but not limited to: Osiris, Dionysus, Orpheus, Adonis, Cernnunos, Khidir etc… He is the god born to sacrifice and through his union with the goddess to be born again.  I think that this myth is particularly appealing because the Green Man's seasonal life mirrors our own limited mortality. "The Willow Men" image is a Collograph. The plate from which it was printed was made by using acrylic medium to attach paper that I had previously embossed to a plexiglass plate.  Any texture thin enough t

Roby King Exhibition

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Artist Denise Kester and I shared a wonderful opening at Roby King Gallery on Bainbridge Island Saturday evening.  We are each inspired by myth and pursue our own personal take on that seen and imagined world in monotype and in paint.  Thank you Andrea and Wes, gallery curators and owners, for thinking to pair the two of us and for the opportunity to show with Roby King again!   Check us out!  Our work will exhibit from November 3-25-2017.  You may preview my contribution to our show here: Brian Fisher Prints and Paintings

Guardian

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"Guardian" oil on canvas, 28 x 24 in. Guardian is one of two paintings among many prints in my exhibit at Roby King Gallery on Bainbridge Island, November 3-27.  I was inspired to reinterpret my monotype print "Guardian" in paint when I read these words from one of my favorite poets, Billy Collins. "It is hard to speak of these things how the voices of light enter the body and begin to recite their stories how the earth holds us painfully against its breast made of humus and brambles how we who will soon be gone regard the entities that continue to return greener than ever, spring water flowing through a meadow and the shadows of clouds passing over the hills and the ground where we stand in the tremble of thought taking the vast outside into ourselves." from the poem “Directions” by Billy Collins "The entities that continue to return," are symbolized in the Nyads, Kodama, and Green Men.