Brian Fisher Print, Paint and Sculpture Blog

“Paper Moon”, from my Leo and Lang series, is a limited edition linocut print for sale in my studio ( #15 ) on the VIVA Spring Art Studio Tour, May 7-8 and 14-15, 2022.  Once upon a time, before cameras were common and digital imagery had replaced film, everyone’s local fair or carnival featured set photography booths where a photo portrait might be taken to document the day, a friendship, or love, paper moons were a standard set. The song Paper Moon was written in 1932 and had already been recorded by many artists when in 1973 Peter Bogdanovich gave it new life by using it as theme music and naming his movie, based on Joe David’s novel Addie Pray and starring Ryan O’Neal, Tatum O’Neal and Madeline Kahn, Paper Moon. The film has since become a classic and words to the song indelible. “It is only a paper moon, Sailing over a cardboard sea But it wouldn’t be make-believe if you believed in me.” Given the time and place I’ve imagined my characters Leo and Lang born into, they must have p

  “I am the Master of my Fate, I am the Captain of my Soul”   My monotype print with aluminium leaf is exhibiting with other prints created by 7 of Quartermaster Press Studio’s artists and with 4 Vashon potters now through the end of March at Vashon Center for the Arts Gift Gallery. Invictus, Latin for invincible and the name of William Ernest Henley's inspirational poem has long been a favorite subject of mine. I keep coming back to it. We may all be in this life together but as the decision maker of our lifetimes, we are each our sole authority. “I am the master of my fate...I am the captain of my soul”

The subject is Djinn. This photo was taken at QMP, Quartermaster Press, while still on the press.  Although printed last week the red ink was still wet when I picked it up yesterday.  I think one more layer of black line, some gold leaf and... it will be finished!  But first it must... dry! A Djinn (genii, ginn, jann, jinn, shayatin, shaytan) is in Arabic mythology, a spirit, not a demon, not quite an angel either, but something like the Greek Daimones.  Djinn can be either good or evil.  They possess supernatural powers and in lore can be conjured to perform various tasks and services by humankind. Most of us are familiar with Djinn as the wish-granting “Genie” in the Arabic folktale of Aladdin's Lamp and The Book of A Thousand and One Nights, but there are many stories of Djinn.  This is the first of my series about them.

I've been printing my Leo and Lang etching , "Twin Sons, Different Mothers" at Quartermaster Press Studio. I'm so delighted by the polymer plate made by Intaglio Editions from my drawing. The prints from this plate are a small edition in dark gray and a second small edition in carbon black, both on Hahnemühle Copperplate paper. My story of Leo and Lang begins, somewhere in the Netherlands, high atop a chimney. It's a defining moment in a series of images that explore same sex relationship and an imagined history.

Pics from QMP artists Collography demonstration. PRESSING FORWARD – Layered Perspectives in Printmaking, the Quartermaster Press Exhibit at Tacoma Art Museum’s Cheney Classroom that opened July 11 is still on exhibit until September 27, 2018. Eight Quartermaster Press artists accepted the challenge to create new work inspired by the Tacoma Art Museum's print collection.  The resulting exhibit is a spectrum of print process with etchings, linocuts, collagraphs, and monotypes and is as visually complex and compelling as the work that was it's inspirational source. Artists Patricia Churchill, Debi Shandling Crawford, Brian Fisher, Sue Hardy, Suzanne Moore, Christina Nichols, Jayne Quig and Deborah Taylor originally worked from online images to create their prints.  In mid July they were able to see the original artwork that initially inspired them. QMP members have also demonstrated collography and monotype print process during the course of the exhibit.  Above and be

My monotype “Gemini” is exhibiting in "The Printmakers Hand IV" at Northwind Arts Center, 701 Water Street, Port Townsend Washington from July 5-29, 2018.  The exhibition is co-sponsored by Corvidae Press of Port Towndsend and juried by Bob Kochs of Augen Gallery in Portland, OR.  The opening reception and awards are on July 7, 5:30-8:00.  A talk by Bob Kochs is at 1:00 pm on July 8 at Northwind Arts Center.   It's a busy summer.  Jayne Quig, a fellow Quartermaster Press printer, and I recently hung QMP's exhibit "Pressing Forward" at the Tacoma Art Museum's Cheney class room, July 11- September 27, 2018.  The official opening is July 19 when I will also demonstrate a monotype/collagraphy process.   Below is my monotype print Gemini exhibiting in "The Printmakers Hand IV" at Northwind Gallery and my monotype King of the May showing with QMP at the Tacoma Art Museum. Brian Fisher Monotype Prints-   Gemini ,  22.5" x 15"  and

Below are my new Leo and Lang images inspired by Karen Gantz's print in the Tacoma Art Museum collection.  Here is a link to Karen's "Puppet" . Quartermaster Press  studio will exhibit work in it's latest show- Pressing Forward , at the Tacoma Art Museum's Cheney class room July 11- September 27, 2018.  Each QMP member artist selected work from the permanent collection and created a new generation of prints in response to subject, image and/or print process.  What an exciting challenge! Brian Fisher,  "Love Puppets" and" The Dating Game", intaglio prints from the "Leo and Lang" series. The Intaglio prints I created in response to Karen Gantz's print, “Puppet", (which I read as role play), have become a personal print series exploring relationship and role play within relationship. "Love Puppets” and “The Dating Game” are visual moments in the tale of Leo and Lang, twin sons of different mothers who f

Below are two new images inspired by Doris Lee’s prints in the Tacoma Art Museum collection.  Quartermaster Press  studio will exhibit work in it's latest show Pressing Forward at the Tacoma Art Museum's Cheney class room July 11- September 27, 2018.  Each QMP member artist selected work from the permanent collection and created a new generation of prints in response to subject, image and/or print process.  It has been an exciting challenge! Doris Lee’s “Maypole" image might appear quaint, her pictorial approach intentionally naive, but the subject has as source an ancient fertility rite and I think her take on the subject a little subversive.  Here is a link to her print.  Maypole  I celebrate her vision and explore the mythic spring rite in “Beltane" (the anglicized name for the Gaelic May Day festival) and again in my monotype print version of “Maypole”.    Brian Fisher, "Maypole" Monotype Brian Fisher, "Beltane"  Monotype with

We've all heard the phrase- "I know nothing about art but I know what I like when I see it".  Liking is a jumping off place for collecting and with collecting comes knowledge and a broader appreciation for whatever is being collected.  People collect Art for many reasons and yesterday April 28, art patrons and friends of Quartermaster Press gathered at VCA to discuss just why they collect.  It was a fun afternoon and we got to hear many personal stories from those who attended and whose collections made up the "Collectors' Wall" that was our backdrop and the focus of the event.  Thanks to everyone who could come and share the conversation. Quartermaster Press 25's next special events will be First Friday, May 4 at 5:30, a talk by Suzanne Moore about Tradition and Transformation in printmaking and at 7:00 a Multi-plate Etching Demonstration by Deborah Taylor.  For more details link here to Vashon Center for the Arts . 

Brian Fisher, assisted by Debi Shandling Crawford, will share the art of Collagraphy plate and print making tomorrow, April 14, in the Vashon Center for the Arts, Koch Gallery at 1:30 pm.  Art and printmaking enthusiasts please join us to learn about this very simple way to make and print a collagraph. Collagraphy refers to a collage of materials glued to a substrate to create a printable plate.  Ink may be applied to the high surfaces of the plate with a brayer, like a relief print, or ink may be applied to the entire plate and then removed by wiping from the upper surfaces leaving ink between and around collage elements, resulting in an intaglio print.  This demo is the first of many scheduled events (check out the VCA link above for dates) in celebration of the Quartermaster Press Studio's 25 Anniversary.   Collagraphy Plates 1&2 (left) and Prints from plate 2 (right)

Ilse Reimnitz introduced me to monotype printmaking and Quartermaster Press 20 years ago.  She is a great friend and mentor.  I always enjoy talking with her and every time we teach a workshop together I learn something new from Ilse.   Ilse Reimnitz has an innate sense for asymmetrical composition.  She is a master of watercolor and monotype.  Her success in both mediums relies on her ability to subtly layer texture and imagery.  What often first appears to be a simple though elegant composition upon a closer look is revealed to be complex, mysterious, and texturally rich.  The QMP 25 Retrospective Exhibit, April 6 - May 25 at Vashon Center for the Arts will include Ilse's monotype "Current" 29 x 21 in. "Current" Monotype by Ilse Reimnitz

These photographs were taken of Quartermaster Press studio in about 2001, courtesy of Marian Wachter.  QMP studio was originally located on Quartermaster Drive and on the property of Michael Richards and Rita Brogen in what was formerly a potting shed.   Valerie Willon's press made by Ray Trayle, is at center of the interior photo. Check out the scale of the wheel!   Pinned to the wall are prints Marian Wachter was working on.  It was a sweet place even if a bit drafty! Below are members Bonnie Wilkins, Adrienne Edmonson, Suzanna Leigh, Brian Fisher, Ilse Reimnitz, Laura Davidheiser and Marian Wachter in publicity photo for QMP. QMP Publicity Photo 2001 QMP Interior 2001

QMP, Quartermaster Press, was founded in 1993 when artist Valerie Willson moved to Vashon Island, Washington with a very large etching bed press.  The press was new.  Valerie had commissioned Ray Trayle to build it two years before when her second story studio in the Pearl District of Portland, Oregon could easily accommodate it and two other presses. Valerie's new, smaller, Vashon Island studio could not accommodate the press and so she and a handful of Vashon Island artists came together to form Quartermaster Press.  The new cooperative shared a press, studio, ideas and friendship. Twenty five years later those foundational ideals are still common denominators of Quartermaster Press.  Below is a 1995 publicity photo of QMP artists Jill Stenn, Valerie Willson, Sue Grant, Bonnie Wilkins and Ilse Reimnitz.  Valerie Willson has been the constant in this artistic equation.  Thank you Valerie for your dedication and contributions to the exploration of print process.  You are one

Artist Valerie Willson shared her approach to collograph in a couple wonderful workshops at Vashon's Quartermaster Press.  We attached thin materials like paper and cloth to plexiglass plates with gloss acrylic medium and created texture with modeling paste.  The result was a very sturdy collograph plate. Inspired by what I learned, I've been exploring the process in a series of prints about myth in nature.  Here is a drawing and collograph plate of "Atticus," from my Green Man series. Collagraph, collograph, no matter how you spell it, refers to a collage of materials glued to a substrate to create a printable plate.  Ink may be applied to the high surfaces of the plate with a brayer, like a relief print, or ink may be applied to the entire plate and then removed by wiping from the upper surfaces leaving ink between and around collage elements, resulting in an intaglio print.  I now employ both methods when making my own collographs.  Below is a detail that

Above is my Collograph about the myth of Persephone and Demeter, named “The Persephone Cycle.” Image size, 18x18 in.  It’s on display at Hinge Gallery  in March, April  during the Quartermaster Press Print Show:  Life-Cycle  and during the "Vashon Island Art Studio Tour" at Brian Fisher Studio, map #16. Part 1: The Myth of Persephone and Demeter    Persephone was the daughter of Demeter, Goddess of fertility, harvests, and perhaps the earliest version of a Great Earth Goddess except for Rhea, her own mother.  Beautiful, virginal, Persephone was Demeter’s daughter by Zeus and the maternal focus of her life. Hades, Persephone’s uncle, fell in love with his young niece and decided that he would have Persephone for his bride but knew that Demeter would never approve of such an arrangement.  So, Hades colluded with Zeus, her father, his brother, who agreed to a secret “union” and to his plans for Persephone’s abduction. One day Persephone w

Chiron and Jason My plates are RUSTING.   The Cor-Ten Steel seems to be shedding rust in large flakes.  That might be interesting?  I intend to find out tomorrow when I will place two of the plates on dampened Rives heavy weight paper and hope for remarkable rust!  I will post the results. Over the weekend, while rust was happening, I participated in an inspiring workshop with Valerie Willson and eight others.  Three days learning process, making and modifying etchings on zinc plates at the new Vashon Island print studio of Quartermaster Press with Valerie, was exhilarating!  Here is a Facebook link with descriptions and some photos.  Quartermaster Press Above and below are the results of my own efforts.   I look forward to Valerie’s followup Etching workshop.  Argos Etchings, Prints and Plates