Brian Fisher Print, Paint and Sculpture Blog

Gnosis, Rust Monotype, 30x30 in. ArtXchange Gallery’s new exhibit, Mandala: Contemporary Interpretations of the Ancient Form (Opening July 3, 5-8pm, thru August 9, 2014) features nine artists (Nola Avienne, Sarah Barrick, Eric Carson, Brian Fisher, Carl Gombert, Terra Holcomb, Chris Moench, C. Andrew Rohrmann and Connie Sabo), whose work explores the structure or theme of Mandala, the Hindu and Buddhist representation of the Universe. Mandalas, commonly seen as circular forms or a square within a circle, are a microcosm of existence, a meditative tool, and a Jungian symbol representing the effort to reunify the self. Above is my Rust Monotype Gnosis, one of several related rust images I will be exhibiting. ArtXchange is located at 512 1st Ave S, Seattle, WA 98104. Hours are 11:30-5:30 Tuesday-Saturday.

I have continued to explore rust as a medium this summer and early fall.  My "Man at Center" Rust Monotype, 30" x 30" in., mounted to wood panel, was made with an open Corten steel plate and acetate stencil.  Below is am image of the plate after the print was pulled.

Weekend two of the Vashon Holiday Studio Tour promises to be a little drier.  We had a great first weekend in spite of the rain.  Thank you friends and patrons for stopping in to see what was new.  I had many questions about my new Rust Prints and rust process.  The photo below features a few of those.

Cabeiri Rites, Rust Print, 24 x 24 in. December 1-2 and 8-9 from 10am to 4 pm the artists of Vashon Island open their studio doors to share art and process with friends and patrons.  This year I am studio number 9 on the tour.  I always look forward to this event.  Here is a link to the Vashon Island Art Studio Tour Holiday 2012 lineup of studios. Cabeiri Rites is one of many new rust prints I will be showing for sale in addition to my other print, paint and assemblage work.

Fall rains, or our seasonal wet, have finally arrived on Vashon Island and in the Pacific Northwest.  I have been thankful for our delayed Fall weather and the extended opportunity to work outside. Yesterday, though, the fantasy ended and my outside rusting process came to a close.  Here are a few images of me taking apart the process and revealing a rust plate and rusted image. This rust print is sourced in Apollonius of Rhodes description of The Harpies attacking King Phineus of Thrace, (Thrake.)  Phineus first traded his sight for foresight and was subsequently punished by Zeus for revealing too many secrets of the Olympian gods.  Zeus sent the Harpies to snatch any food set before Phineus and befoul any scraps left behind.  When Jason and the Argonauts befriended  Phineus the winged Boreades, Zetes and his brother Calais, gave chase.  They pursued The Harpies to the Strophades Islands where the goddess Iris directed them to turn back and leave the Harp

Hylas, Lost to Love  14  x 14 in.  Rust Monoprint Apollonios Rhodios wrote his version of the Argonautika, the story of Jason and the Quest for the Golden Fleece, in the 3rd century BC but this Hero's story is probably the oldest extant Greek myth. When I began my investigation of “rust” as a medium for creative process a year and a half ago I decided to make the Argonautika the subject for my personal quest and chose Peter Green’s translation of the Argonautika as source for my imagery.  Below, Green describes the fate of Hercules companion, Hylas in a significant chapter of the Argonautika. 'Hylas, then, came to the spring that was known as The Fountains by local inhabitants. Just now, as it chanced, the dances of the nymphs were being held there; for it was their custom, that of all the nymphs who dwelt around that lovely mountain, ever to honor Artemis with nocturnal song. Now all whose haunts were hilltops or mountain torrents, the guardian wood nymphs, these were