Brian Fisher Print, Paint and Sculpture Blog

I have continued to explore rust as a medium this summer and early fall.  My "Man at Center" Rust Monotype, 30" x 30" in., mounted to wood panel, was made with an open Corten steel plate and acetate stencil.  Below is am image of the plate after the print was pulled.

‘Studios’ magazine featured four Vashon artists and their studios in its Summer  edition. My studio was chosen as the cover.  The following is how I describe my present creative space. I am a Print, Paint and Assemblage artist.  The images I make have their origin in story. The story may be personally relevant but often falls within the realm of myth.  The interpretation of myth and visual exploration of story is informed by and evolves in my approach to Monotype print.   I think of Monotype as a lively conversation of knife with paper, ink with plate, and paper and plate with press.  The exploration of these simple materials, mediums and tools provide an exciting way to discover imagery that I may subsequently interpret in the more traditional medium of oil on canvas or include as critical components of my assemblage work. In addition to my press work I am currently exploring another Monotype process utilizing mild steel plates that are compose...

'Saqqara, Oil on Panel, Gold Leaf, 48x36 in. In the Greco Roman Egyptian region known as Fayum or el Faiyum, the Egyptian cult of the dead inspired unique portraits that were bound to the mummified body.  As such they became by definition objects of worship.  Each was an intimate and symbolic part of the mummy with which it was found.  The portraits were regarded not just as representations but as the immortal surrogates of the dead.  Men were identified with the god Osiris and women with the god Isis. The mummies were considered to be essential for life after death according to Egyptian rituals and the portraits were sourced in style by the naturalistic traditions of Greece. The Faiyum portraits are thought to have been painted from ‘sittings’ done during the youth of the subject and kept in the subject’s home until death, when the were placed on and bound into the mummy as the face or soul of of the deceased. The image (above) is my contemporary interp...

Faiyum is an Egyptian city and region located about 80 miles southwest of of Cairo.  Faiyum Governorate, the modern capital, is also the ancient site of Shedyt or Crocodilopolis.  Founded around 4000 BC,  it is the oldest known city in Egypt and one of the oldest settlements  in Africa. During the Ptolemaic dynasty, (305 BC to 30 BC), and after, the Faiyum region was a major producer of grain and cotton for the Roman world.  Today Faiyum is particularly know for the remarkable tomb portraiture created during it’s Greco Roman period of affluence in antiquity. The Faiyum portraits or Fayum portraits, were created as encaustic on panel or sometimes tempera on linen.  They were bound into bands of cloth that wrapped the mummified wealthy for burial.  About a thousand of these portraits have been discovered.  Each is a remarkably realistic portrait, sometimes double portrait, of people that lived 2000 years ago.  Buried with their “subject”...

My sculpture 'Haiku' with yucca and a stunning white rose. The Vashon Garden Tour is this weekend.  I was honored to have my Threshold Guardian stakes and sculpture in the garden of Ron Gawith and Linda Weiss.  Their contemporary home and the garden that surrounds it are absolutely stunning. Behind me is 'Hyperion' in stainless steel, hung from Gabion cage.

ISLAND TO ISLAND ART FROM AROUND THE SOUND June 13th-August 4th EXHIBITING ARTISTS: Anne Belov, Sandy Byers, Debra Calkins Brian Fisher , Melinda Hannigan, Lorraine Healy. Ingrid Lahti Mark Lucero. Mary Dyer Rothermel Kim Tinuviel THURSDAY, JUNE 13, 5:00-7:00 PM ALJOYA MERCER ISLAND 2430 76th Avenue SE, Mercer Island, WA 98040 ARTWORK IS ON EXHIBIT THROUGH AUGUST 4, 2013. Please RSVP at (206) 230-0150 "The Caledonion Boar," above, (14 x 14 in.) is one of several Monoprints I will be exhibiting in the Island to Island show.  June Sekiguchi and Kelly Lyles curated this exhibition for Aljoya. It will showcase work from Washington State "Island" artists, (Whidbey, Vashon, Mercer, etc).

Earlier this year I completed an interesting commission for a good friend and patron. The final print images were to be digitally reproduced and used as skins for pantry doors in his kitchen.  We discussed imagery and finally decided that two Monotypes describing four phases of his life would be fun and personally relevant. Above are the door skins in place.  Below are the initial drawings and  the final Monotypes that were reproduced as door skins.